Drawings in the world. On multiscalarity and scales outside the representation

Authors

  • Giovanni Durbiano Polytechnic of Torino
  • Tommaso Listo Polytechnic of Torino

DOI:

https://doi.org/10.19229/2464-9309/712020

Keywords:

scales, representation, author, mediation, multiscalarity

Abstract

The article relates the concept of architectural scale with the philosophical and political implications of the world representation action implicit in every scalar operation. Drawing from a certain philosophical tradition about representation, it follows that the scalar attribution can be interpreted as an attempt to perform a form of control over the represented through the drawing, with the purpose to legitimize the author and the scientificity of the architectural discipline in theories and Schools. However, this paradigm, which made the Italian post-war architecture so successful, is put in crisis by the nature of the problems requiring design and projection. From these considerations, a conceptualization of multiscalarity is proposed, focusing on the project's agency in the world, rather than from an introjection of the latter into the designer intentions.

Downloads

Download data is not yet available.

Article Metrics Graph

Author Biographies

Giovanni Durbiano, Polytechnic of Torino

Full Professor of Architectural and Urban Composition and the President of ProArch, the Scientific Society of Italian architectural design teachers. He is the author of publications on the themes of architectural design cultures in contemporary times, and Founder and Member of the Advisory Board of the Ardeth – Architectural Design Theory. Professionally, he is co-owner of the DAR Architettura studio.
E-mail: giovanni.durbiano@polito.it

Tommaso Listo, Polytechnic of Torino

PhD Student in Architecture, History and Design. He carries out research mainly in the field of architecture theory and the intersection between digital and design practice. He holds a Master in Digital Humanities from the ‘Ca Foscari’ University of Venice.
E-mail: tommaso.listo@polito.it

References

Amirante, R. (2018), Il progetto come prodotto di ricerca – Un’ipotesi, LetteraVentidue, Siracusa.

Aureli, P. V. (2011), The Possibility of an Absolute Architecture, MIT Press, Cambridge (MA).

Boeri, S. (2020a), “The Day After”, in La Repubblica, newspaper, 21 April 2020, p. 19. [Online] Available at: www.stefanoboeriarchitetti.net/wp-content/uploads/2020/04/la-repubblica.ashx_.pdf [Accessed 9 May 2020].

Boeri, S. (2020b), “Da Genova una lezione poderosa ma non automatica per il post Covid-19”, in The Huffigtonpost, newspaper online, 28 April 2020. [Online] Available at: www.huffingtonpost.it/entry/stefano-boeri-da-genova-una-lezione-non-automatica-per-il-post-covid-19_it_5ea8179fc5b6dd3f908aea36 [Accessed 9 May 2020].

Canella, G., Coppa, M., Gregotti, V., Rossi, A., Samonà, A. Scimeni, G., Semerani, L. and Tafuri, M. (1968), Teoria della Progettazione Architettonica, Dedalo, Roma.

Canella, T. (ed.) (2005), Guido Canella – Disegni 1955-2005, Federico Motta, Milano.

Choay, F. (1986), La Regola e il Modello – Sulla Teoria dell’Architettura e dell’Urbanistica [or. ed. La Règle et le Modèle – Sur la Théorie de l’Architecture et de l’Urbanisme, 1980], Officina Edizioni, Roma.

Descartes, R. (2014), Discorso sul metodo [or. ed. Discours de la méthode pour bien conduire sa raison, et chercher la verité dans les sciences – Plus la Dioptrique, les Meteores, et la Geometrie qui sont des essais de cete Méthode, 1637], Einaudi, Torino.

Foucault, M. (2018), Le parole e le cose – Un’archeologia delle scienze umane [or. ed. Les mots et les choses – Une archéologie des sciences humaines, 1966], BUR Rizzoli, Milano.

Galli, C. (2008), Lo sguardo di Giano – Saggi su Carl Schmitt, Il Mulino, Bologna.

Grassi, G. (1967), La costruzione logica dell’architettura, Marsilio, Padova.

Gregotti, V. (2006), “Gli ecomostri dello Zen”, tv interview, in Le Iene, 24 April 2006. [Online] Available at: www.iene.mediaset.it/video/ecomostri-quartiere-zen_532834.shtml [Accessed 13 May 2020].

Gregotti, V. (1965), Il Territorio dell’Architettura, Feltrinelli, Milano.

Heidegger, M. (2002), “L’epoca dell’immagine del mondo” [or. ed. “Die Zeit des Weltbildes”, 1938], in Heidegger, M., Holzwege – Sentieri erranti nella selva, Bompiani, Milano, pp 71-101.

Latour, B. (2013), Cogitamus – Sei lettere sull’umanesimo scientifico [or. ed. Cogitamus – Six Lettres sur les humanités scientifiques, 2010], il Mulino, Bologna.

Latour, B. (2009), Non siamo mai stati moderni [or. ed. Nous n’avons jamais été modernes, 1991], Elèuthera, Milano.

Lovero, P. (1993), “L’architettura e il suo doppio”, in Boudon, P., La questione della scala tra epistemologia e architettura, Istituto Universitario di Architettura di Venezia, Venezia, pp. 2-6.

Massey, D. (2005), For Space, SAGE Publishing.

Rossi, A. (1966), L’Architettura della Città, Marsilio, Padova.

Samonà, G. (1968), “Le scale di progettazione e l’unità nel metodo”, in Canella, G. et alii, Teoria della Progettazione Architettonica, Dedalo, Roma, pp. 101-120.

Tafuri, M. (1968), Teorie e Storie dell’Architettura, Laterza, Roma-Bari.

Guido Canella, Project of the new Settlement of the Polytechnic University in the Bovisa district, 1986. AGATHÓN 07 | 2020

Downloads

Published

21-06-2020

How to Cite

Durbiano, G. and Listo, T. (2020) “Drawings in the world. On multiscalarity and scales outside the representation”, AGATHÓN | International Journal of Architecture, Art and Design, 7(online), pp. 8–15. doi: 10.19229/2464-9309/712020.