Environmental art. The poetics of ample spaces
DOI:
https://doi.org/10.19229/2464-9309/4252018Keywords:
land art, environmental art, nature aesthetics, sculpture, imageAbstract
The purpose of this article is to examine the environmental issue which plays a key role in the art world since 1967, especially through the American Land Art and the European Environmental Art. Due to the pop art’s assemblages and the Land Art conceptual experiences, the Environmental Art has developed its own contents. Through a review of significant endeavours, we will be able to appreciate an unprecedented interpretation of human’s actions on the environment. From a critical and historical point of view, this article aims to examine some art facts which are fundamental to rough out the current shape of the Environmental Art. This can only be achieved by the widest range research of any stripe and variety and the widest range of functional diversity.
Downloads
Article Metrics Graph
References
Aa.Vv. (1993), Arte ambientale – Collezione Gori, Fattoria di Celle, Torino.
Bachelard, G. (2006), La poetica dello spazio, Dedalo, Bari.
Cei, M. (1994), Il parco di Celle a Pistoia – Araba fenice del giardino, Edifir, Firenze.
Celant, G. (2016), Christo e Jeanne-Claude – Water Project, Silvana Editoriale, Milano.
Celant, G. (1976), Ambiente/Arte – Dal Futurismo alla Body Art, Catalogo della Mostra, Biennale di Venezia, Venezia.
Chuang-tzu, (2012), Zhuang-zi, [it. tr., Sabbadini, A. S.], Urra, Milano.
Costa, M. and Bonetti, L. (2016), “Geometrical factors in the perception of sacredness”, in Perception, n. 45, issue 11, pp. 1240-1266.
Demijttenaere, A. (2012), Opera Bosco – Artemisia 2010-2011-2012, catalogo della mostra ‘Artemisia 2012’, Opera Bosco Edizioni, Calcata.
Demijttenaere, A. (2005), Opera Bosco – Museo di Arte nella Natura, Catalogo della Mostra ‘Artemisia 2005’, Opera Bosco Edizioni, Calcata.
Fagone, V. (2003), “Strutture. Orizzonti e destino di una Cattedrale vegetale”, in Aa.Vv., La Cattedrale vegetale – Un’opera di Giuliano Mauri, Nicolodi Editore, Trento.
Fossi, G. (1990), “Il labirinto verde”, in Art e dossier, n. 47, pp. 12-19.
Heizer, M. (1969), “The art of Michael Heizer”, in Artforum, bd. 8, n. 4, New York, pp. 32-39.
Merleau-Ponty, M. (1945), Fenomenologia della percezione, Gallimard, Parigi.
Pasqualotto, G. (2001), Estetica del vuoto – Arte e meditazione nelle culture d’Oriente, Marsilio, Venezia.
Repetto, P. Repetto, S. and Repetto, C. (2009), Il canto della terra, Catalogo della Mostra (Galleria Repetto), Li.Ze.A Arte Edizioni, Aqui Terme.
Sposito, A. and Mangiarotti, A. (eds) (2013), East-West – Artistic and Technological Contaminations | Oriente-Occidente – Contaminazioni Artistiche e Tecnologiche, International Symposium Milano 12-14 Dicembre 2012 – Monografie di Agathón, Offset Studio, Palermo.
Downloads
Published
How to Cite
Issue
Section
License
This Journal is published under Creative Commons Attribution Licence 4.0 (CC-BY).
License scheme | Legal code
This License allows anyone to:
Share: copy and redistribute the material in any medium or format.
Adapt: remix, transform, and build upon the material for any purpose, even commercially.
Under the following terms
Attribution: Users must give appropriate credit, provide a link to the license, and indicate if changes were made; users may do so in any reasonable manner, but not in any way that suggests the licensor endorses them or their use.
No additional restrictions: Users may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices
Users do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give users all of the permissions necessary for their intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.