Cosimo D’Amico: from the realism to hyper-realism
DOI:
https://doi.org/10.19229/2464-9309/1192017Keywords:
painting, hyperrealism, portraitsAbstract
The Author introduces Cosimo D’Amico, a still little-known Sicilian painter whose technical mastery can be declined in heterogeneous and ever-new genres and pictorial imageries, ranging from metaphysical scenes to material landscapes, from ambiguous figures to portraits so real that they look alive.
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References
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Bois, Y. A., Buchloh, B. H. D., Foster, H. and Krauss, R. (2004), Art since 1900 – Modernism, Antimodernism, Postmodernism, Thames & Hudson, London; it. tr. (2010), Arte dal 1900 – Modernismo Antimodernismo Postmodernismo, Zanichelli Editore, Bologna.
Detheridge, A. (2012), Scultori della speranza. L’arte nel contesto della globalizzazione, Einaudi, Torino.
Krauss, R. E. (1985), The Originality of the Avant-Garde and Other Modernist Myths, the MIT Press, Cambridge (MA).
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